{"id":2121,"date":"2025-12-30T12:56:48","date_gmt":"2025-12-30T11:56:48","guid":{"rendered":"https:\/\/www.marynazubko.com\/?p=2121"},"modified":"2026-01-15T21:10:25","modified_gmt":"2026-01-15T20:10:25","slug":"new-years-concerts-2026-theatre-ulm-preview-reports","status":"publish","type":"post","link":"https:\/\/www.marynazubko.com\/en\/2025\/12\/30\/new-years-concerts-2026-theatre-ulm-preview-reports\/","title":{"rendered":"NEW YEAR&#8217;S CONCERTS 2026 WITH THE ULM PHILHARMONIC ORCHESTRA \u2013 PREVIEW REPORTS"},"content":{"rendered":"<section class=\"l-section wpb_row height_medium\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p><strong>S\u00dcDWEST PRESSE<\/strong><br \/>\n<strong>A happy new year with Wagner<\/strong><br \/>\n<strong>Theatre Ulm<\/strong> Soprano Maryna Zubko is Mimi in \u2018La Boh\u00e8me\u2019 and now the soloist for the<br \/>\nNew Year&#8217;s Concerts 2026. What does the future hold for her career?<\/p>\n<p>She came to Ulm a good seven years ago, in the 2018\/2019 season. One of her first roles was<br \/>\nSophie Scholl in the chamber opera \u2018Wei\u00dfe Rose\u2019 (White Rose). In an interview at the time, Maryna<br \/>\nZubko recounted how she had been in Kiev when the student protests sparked the bloody<br \/>\nrevolution against the Yanukovych regime on Independence Square. She had experienced everything<br \/>\nfirst-hand, as the National Music Academy of Ukraine is located right on the Maidan.<br \/>\n\u2018Sophie&#8217;s thoughts and feelings are very familiar to me,\u2019 said the soprano, &#8220;the Maidan was also<br \/>\nabout truth, justice and freedom.&#8221; The role brings back very emotional memories of the traumatic<br \/>\nevents.<br \/>\nThen came nightmares of a completely different kind: Putin&#8217;s Russia invaded Ukraine in 2022,<br \/>\nand Maryna Zubko feared for her family and friends, for her parents, who lived in Shostka in the<br \/>\nnorth-east of the country, near the Russian border. The city was surrounded by Russian forces and<br \/>\nunder artillery fire. Her parents have since been evacuated and moved to Germany. Her brother<br \/>\nalso lives here, working as a veterinarian in Vechta. Maryna Zubko recounts this with gratitude<br \/>\nand relief during a conversation at the Theatre Ulm, the day after the premiere of \u2018La Boh\u00e8me,\u2019<br \/>\nin which she sang the acclaimed role of Mimi. She is tired, the singer admits, she couldn&#8217;t sleep<br \/>\nall night: too agitated, too euphoric. It&#8217;s understandable. \u2018Puccini&#8217;s wonderful music!\u2019 she enthuses.<br \/>\nnd this production with director Rolf Widder is a great gift, Kwonsoo Jeon, who plays Rodolfo,<br \/>\nis a \u2018dream partner\u2019.<\/p>\n<p>Mimi in La Boh\u00e8me? Maryna Zubko has also experienced significant artistic developments in recent<br \/>\nyears: she began her career as a dramatic coloratura soprano with the Ulm ensemble, delivering an<br \/>\noutstanding performance as Lucia di Lammermoor on stage. However, she is now conquering the<br \/>\nlyrical repertoire. The initial spark came from Offenbach&#8217;s opera The Tales of Hoffmann, in which<br \/>\nshe took on all four female roles and not only performed as the coloratura automaton Olympia at the<br \/>\nhighest level, but also as the lyrical soprano Marguerite in the second act. The initial spark was<br \/>\nOffenbach&#8217;s opera \u2018The Tales of Hoffmann,\u2019 when she took on all four female roles and impressed<br \/>\nnot only as the coloratura automaton Olympia in the highest register, but also as the melancholic<br \/>\nAntonia. The realisation: her voice has great potential in the middle register.<\/p>\n<p>Maryna Zubko is an ambitious, determined artist who does not rest on her laurels, who plans her<br \/>\ncareer and continues to take lessons. Russian soprano Elena Pankratova, who has sung Ortrud and<br \/>\nKundry at the Bayreuth Festival, is her coach: &#8220;Have confidence in your lyric repertoire, it&#8217;s a<br \/>\nhealthy development for your voice,&#8221; was her advice. &#8220;I tackled the technical challenges with a<br \/>\nlot of self-confidence. The Desdemona in Verdi&#8217;s \u201cOtello\u201d was then the litmus test. Can I do it or<br \/>\ncan&#8217;t I? It felt like a lottery. But I trusted my body.&#8221; And she won. And now Maryna Zubko is very<br \/>\nmuch looking forward to the role of Eva in Die Meistersinger von N\u00fcrnberg, the farewell production<br \/>\nof artistic director Kay Metzger, which will premiere in early June 2026.&#8221;Eva has always been a<br \/>\ndream role for me, and it suits my voice perfectly, as if Wagner had composed it for me.&#8221;<\/p>\n<p>Maryna Zubko will be performing Wagner at the 2026 New Year&#8217;s concerts at the Ulm Theatre:<br \/>\nwith Elisabeth&#8217;s \u2018Hallenarie\u2019 from \u2018Tannh\u00e4user\u2019. After the second performance of La Boh\u00e8me, she<br \/>\nflew to Barcelona especially to rehearse this aria (\u2018Dich, teure Halle, gr\u00fc\u00df ich wieder\u2019) with Elena<br \/>\nPankratova, who is making her debut there at the Gran Teatro del Liceu as Isolde. Typically,<br \/>\nMaryna Zubko is a perfectionist. In the summer, the Ukrainian attended a language course in Siena<br \/>\nto prepare for the role of Mimi in Puccini&#8217;s opera and improve her Italian skills. And while she was<br \/>\nin Florence, she spent a lot of money in a haute couture shop on fabric for a dress she will wear at<br \/>\nthe New Year&#8217;s concert. This is her second time as a soloist at the New Year&#8217;s Concerts at the<br \/>\nTheatre Ulm. She will also sing at the Theatre Ball on 14 February 2026: Sophie in a scene from<br \/>\n\u2018Der Rosenkavalier\u2019. Wagner, Strauss \u2013 that&#8217;s the new Maryna Zubko.<\/p>\n<p>She is very happy about her time in Ulm: &#8220;I put a lot of energy into it, Kay Metzger trusted me<br \/>\nand gave me big tasks and roles, and I seized the opportunities.&#8221; After this season, however, she is<br \/>\nleaving the theatre to embark on the next stage of her career. She is moving to Frankfurt am Main,<br \/>\nwhere her husband works as manager of the Frankfurt Symphony Orchestra. She does not yet have<br \/>\na permanent engagement in mind; she wants to work freelance. Everything else will fall into place.<br \/>\nShe always devotes herself one hundred per cent to her current task: on New Year&#8217;s Day, it&#8217;s Wagner&#8217;s<br \/>\nturn at the Theatre Ulm, but also light entertainment.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>AUGSBURGER ALLGEMEINE<\/strong><br \/>\n<strong>This year&#8217;s New Year&#8217;s Concert in Ulm is a farewell<\/strong><br \/>\nThe 2026 New Year&#8217;s Concert once again puts soprano Maryna Zubko in the spotlight, who will be<br \/>\nleaving the Ulm Theatre at the end of the season. After the New Year&#8217;s Concerts, the audience will<br \/>\nonly have the opportunity to see her on stage in Ulm in Richard Wagner&#8217;s &#8220;Die Meistersinger von<br \/>\nN\u00fcrnberg&#8221; from June onwards. For the New Year&#8217;s Concert, Maryna Zubko has planned a grand<br \/>\nentrance. A unique evening gown, tailored from silk from Florence in a shade of purple with gold,<br \/>\nhas just been completed and is intended to underline what this New Year&#8217;s Concert means to the<br \/>\nUkrainian-born soprano with German citizenship. She emphasises her gratitude to the Theatre Ulm,<br \/>\nwhere she performed on stage for eight years and played major opera roles such as Anna Bolena,<br \/>\nLucia di Lammermoor, Maria Stuarda, Gilda and Desdemona.<\/p>\n<p>After this season, she will work as a freelance artist and have her main residence with her husband<br \/>\nin the Frankfurt area. When asked how often she has had to sing and act out death on the Ulm stage<br \/>\nin various roles as young women \u2013 and always with such intensity that she even experienced phantom<br \/>\npain in her neck during the scene where Anna Bolena dies on the scaffold \u2013 the soprano has to do the<br \/>\nmaths: It must have been more than 320 times that she has had to die on the Ulm stage \u2013 Puccini&#8217;s<br \/>\n\u2018La Boh\u00e8me\u2019, where she sings the dying Mimi, premiered just before Christmas and runs until 8 February.<\/p>\n<p>It is the wide range that Maryna Zubko displayed with great emotion in Ulm that will once again come<br \/>\nto the fore in this New Year&#8217;s concert: Wagner will be alluded to in &#8220;Dich, teure Halle gr\u00fc\u00df ich wieder\u2018<br \/>\nfrom \u2019Tannh\u00e4user&#8221;, but also in the \u2018Jewel Song\u2019 by the young Margarethe from Gounod&#8217;s \u2018Faust\u2019, among<br \/>\nothers. The second part will be all about love, from Franz Leh\u00e1r&#8217;s \u2018Liebe, du Himmel auf Erden\u2019 to<br \/>\n\u2018The Phantom of the Opera\u2019, mostly in the lighter muse. Maryna Zubko is not yet revealing what she<br \/>\nwill be wearing for this . The orchestra will take a similar musical approach, with an equally wide range:<br \/>\nthe audience will be entertained in the first part with Verdi and Puccini, among others, but also \u2013 as befits<br \/>\na New Year&#8217;s concert \u2013 with Johann Strauss.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"S\u00dcDWEST PRESSE A happy new year with Wagner Theatre Ulm Soprano Maryna Zubko is Mimi in \u2018La Boh\u00e8me\u2019 and now the soloist for the New Year&#8217;s Concerts 2026. What does the future hold for her career? She came to Ulm a good seven years ago, in the 2018\/2019 season. One of her first roles was...","protected":false},"author":2,"featured_media":2087,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19],"tags":[],"class_list":["post-2121","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-presse-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/posts\/2121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/comments?post=2121"}],"version-history":[{"count":2,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/posts\/2121\/revisions"}],"predecessor-version":[{"id":2150,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/posts\/2121\/revisions\/2150"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/media\/2087"}],"wp:attachment":[{"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/media?parent=2121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/categories?post=2121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/tags?post=2121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}