{"id":1630,"date":"2025-02-20T15:42:56","date_gmt":"2025-02-20T14:42:56","guid":{"rendered":"https:\/\/www.marynazubko.com\/?p=1630"},"modified":"2025-05-09T12:59:57","modified_gmt":"2025-05-09T10:59:57","slug":"premiere-of-donizettis-opera-maria-stuarda-at-the-theatre-ulm","status":"publish","type":"post","link":"https:\/\/www.marynazubko.com\/en\/2025\/02\/20\/premiere-of-donizettis-opera-maria-stuarda-at-the-theatre-ulm\/","title":{"rendered":"Premiere of Donizetti\u2019s opera \u00bbMaria Stuarda\u00ab at the Theatre Ulm"},"content":{"rendered":"<section class=\"l-section wpb_row height_medium\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p><strong>ORPHEUS Mai\/Juni 2025<br \/>\n<\/strong>Theatre Ulm can count itself extremely lucky to have its ensemble pillars Maryna Zubko as Maria Stuarda and Maria Rosendorfsky as the power-conscious, death-defying English Queen Elisabetta.<br \/>\nWhich side should the audience take artistically when blood ties, love interests and politics play no role and only the performance of the singing counts? It is Zubko&#8217;s side&#8230;Rosendorfsky sings purely, beautifully phrased, expressively, but Maryna Zubko is more sovereign in her dynamic, colour-shading, internal tempi using creative power. What Rosendorfsky achieves through discipline, Zubko trumps with perfect support and feather-light notes plucked from the sky.<\/p>\n<p><strong>DER NEUE MERKER 04\/2025<br \/>\n<\/strong>With <strong>Maryna Zubko<\/strong>, the Ulm Theatre also had a guarantee of success; she was the ideal cast for Maria, as she had been for Anna Bolena. Not only does she have the perfect voice, her colouratura soprano is ravishing in all registers, virtuosic and yet powerful and flourishing, she is also an impressive actress, so absorbed in her role that one suffers with her at every stage and is captivated by her.<br \/>\nTwo days earlier, she had already sung Desdemona in \u2018Otello\u2019, so it was all the more admirable how she mastered these two great roles. Bravo!<\/p>\n<p><strong>S\u00dcDWEST PRESSE: Night review<\/strong><br \/>\nRather solid bel canto opera at the Theatre Ulm with an outstanding Maryna Zubko celebrated by the audience.<\/p>\n<p><strong>S\u00dcDWEST PRESSE<br \/>\nMaryna Zubko sings the title role to great acclaim.<\/strong><br \/>\nPlenty of space for the music. Maryna Zubko makes full use of it: emotional, demonstratively overwhelming top notes. But also lyrical feelings in the cantilenas. Prima donna-like strength. A performance acclaimed by the audience.<\/p>\n<p><strong>AUGSBURGER ALLGEMEINE<\/strong><br \/>\nMaryna Zubko enchanted the premiere audience in the title role of \u201cMaria Stuarda\u201d.<br \/>\nAround 15 minutes of applause: \u201cMaria Stuarda\u201d, the second opera in the Tudor trilogy at Theatre Ulm, was similarly well received by the audience as part 1, \u201cAnna Bolena\u201d &#8211; and Maryna Zubko&#8217;s outstanding performance, again in the title role, received the strongest applause.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"ORPHEUS Mai\/Juni 2025 Theatre Ulm can count itself extremely lucky to have its ensemble pillars Maryna Zubko as Maria Stuarda and Maria Rosendorfsky as the power-conscious, death-defying English Queen Elisabetta. Which side should the audience take artistically when blood ties, love interests and politics play no role and only the performance of the singing counts?...","protected":false},"author":2,"featured_media":1627,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19],"tags":[],"class_list":["post-1630","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-presse-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/posts\/1630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/comments?post=1630"}],"version-history":[{"count":8,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/posts\/1630\/revisions"}],"predecessor-version":[{"id":1729,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/posts\/1630\/revisions\/1729"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/media\/1627"}],"wp:attachment":[{"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/media?parent=1630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/categories?post=1630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/tags?post=1630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}