{"id":1497,"date":"2024-09-26T11:08:55","date_gmt":"2024-09-26T09:08:55","guid":{"rendered":"https:\/\/www.marynazubko.com\/?p=1497"},"modified":"2024-10-10T21:19:33","modified_gmt":"2024-10-10T19:19:33","slug":"premiere-of-webers-opera-der-freischuetz-at-the-theatre-ulm","status":"publish","type":"post","link":"https:\/\/www.marynazubko.com\/en\/2024\/09\/26\/premiere-of-webers-opera-der-freischuetz-at-the-theatre-ulm\/","title":{"rendered":"Premiere of Weber\u2019s opera \u00bbDer Freisch\u00fctz\u00ab at the Theatre Ulm"},"content":{"rendered":"<section class=\"l-section wpb_row height_medium\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column\"><div class=\"wpb_wrapper\"><p><strong>DER OPERNFREUND<\/strong><br \/>\nThe leading roles were excellently cast with <strong>Markus Francke<\/strong> and <strong>Maryna Zubko<\/strong>: Francke has a tenor full of character, Zubko a free and expressive, yet not forcing treble; the sensitivities inherent in the opera since the spectacular premiere of the work in Berlin in 1821, when Mad. Seidler sang Agathe, is also present in the Ulm performance: not least due to Maryna Zubko.<\/p>\n<p><strong>AUGSBURGER ALLGEMEINE<\/strong><br \/>\nVocally, the soloists around the outstanding Maryna Zubko in the role of the fair and kitschy fair-haired bride Agathe are convincing.<\/p>\n<p><strong>S\u00dcDWEST PRESSE<\/strong><br \/>\nExciting to follow: How Maryna Zubko, the colouratura specialist, now grows into the youthful, dramatic soprano role and delicately tackles the naive, dreamy Agathe.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"DER OPERNFREUND The leading roles were excellently cast with Markus Francke and Maryna Zubko: Francke has a tenor full of character, Zubko a free and expressive, yet not forcing treble; the sensitivities inherent in the opera since the spectacular premiere of the work in Berlin in 1821, when Mad. Seidler sang Agathe, is also present...","protected":false},"author":2,"featured_media":1505,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19],"tags":[],"class_list":["post-1497","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-presse-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/posts\/1497","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/comments?post=1497"}],"version-history":[{"count":4,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/posts\/1497\/revisions"}],"predecessor-version":[{"id":1536,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/posts\/1497\/revisions\/1536"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/media\/1505"}],"wp:attachment":[{"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/media?parent=1497"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/categories?post=1497"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marynazubko.com\/en\/wp-json\/wp\/v2\/tags?post=1497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}